https://ryanmckinny.com/home daily 1.0 2026-03-30 https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1774901870504-3BDC1BLJSE9LDWZVHDJ8/unsplash-image-hIWhF5xYZn4.jpg Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/f8307059-055c-4d2e-9d80-97d31ea4a070/IMG_0995.jpg Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://ryanmckinny.com/bio daily 0.75 2025-07-24 https://ryanmckinny.com/portraits daily 0.75 2026-03-17 https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/d5c9c262-6bf9-44ac-9e70-8f2c08eaae8c/0076E.jpg Portraits https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1995c2a3-ff2e-4c6b-b7b7-65e221702be7/0162.jpg Portraits https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/4d822d18-5b39-4905-b417-9400ba396603/0308.jpg Portraits https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/e487b9ef-d550-4119-b216-1aa958470d28/0278SiteTint.jpg Portraits https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1e44ce4a-29a7-4376-be12-48617b805d72/0052.jpg Portraits https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/96aa40ee-f84f-41d0-a14f-82373c91f13b/0147.jpg Portraits https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1a1ab31f-391c-491c-96db-7949ce3313fe/0250RyanMcKinny_creditStaceyBode.jpg Portraits https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/5868e5c4-d373-4cfe-a101-99c9bdd91315/0349E.jpg Portraits https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/3e01f522-b805-42a1-ae9b-d2536ae0c784/0374E_RyanMcKinny_creditStaceyBode.jpg Portraits https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/c9b5fc3a-9ff2-4aa3-a205-d70434882e3a/0168BluePants.jpg Portraits https://ryanmckinny.com/ataglance daily 0.75 2026-03-17 https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/4d822d18-5b39-4905-b417-9400ba396603/0308.jpg At A Glance - 25/26 SEASON HIGHLIGHTS • Starring as Joseph De Rocher in 25th anniversary production of Dead Man Walking at San Francisco Opera • Role debut as John Proctor in The Crucible at Washington National Opera • Role debuts as Michele and Gianni Schicchi in Il trittico at Houston Grand Opera • Role debut as Lieutenant Horstmayer in Silent Night at Houston Grand Opera • Title role in Bluebeard’s Castle in company debut with Omaha Symphony & Opera Omaha BIOGRAPHICAL INFO • Born in Los Angeles, California, on November 22, 1980 • Earned Artist Diploma in Vocal Performance from The Juilliard School • Lives in Asheville, North Carolina, with his wife Tonya and two children, ages 17 and 13 Photo by Jiyang Chen https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/148f5e0c-4aa9-45ac-af5c-3404e00c12a0/50k.jpg At A Glance - ANECDOTES • Grew up on film sets with his father, who served as Director of Photography for Beverly Hills 90210 and Perry Mason series • Ran a 50k ultramarathon – despite not really considering himself a runner • Can speed-solve a Rubik’s Cube in ~20 seconds • Is a long-time volunteer and current member of President’s Leadership Council for Search for Common Ground, which works to end violent conflict and build healthy, safe, and just societies • Eats a plant-based diet and volunteers with Food Not Bombs, an all-volunteer movement that shares free vegan and vegetarian meals with the hungry in over 1,000 cities • Teams up with his wife Tonya to homeschool their kids so the family can stay together when he travels for singing engagements • In his downtime, bakes bread, rock-climbs, and sails Photo of Hullabaloo 50K Ultramarathon by Boulder Filming https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/b82a8de3-d566-488e-996f-4a0d3f711214/Parsifal-Teatro-Colo%CC%81n-Photo-Ma%CC%81ximo-Parpagnoli.jpeg At A Glance - CAREER HIGHLIGHTS • Starring in a Peter Sellars production of Oedipus Rex with the LA Philharmonic in Esa-Pekka Salonen’s last performance as Music Director • Making Bayreuth debut as Amfortas in Parsifal • Representing USA in BBC Cardiff Singer of World Competition • Winning the first-ever Birgit Nilson Prize for singing Wagnerian repertoire at Operalia • Singing Kurwenal opposite Ben Heppner and Nina Stemma as Tristan und Isolde • Jumping in as Kothner in Die Meistersinger von Nürnberg at the Met • Singing Bernstein’s Mass with LA Phil under the baton of Gustavo Dudamel Photo of Parsifal at Teatro Colón by Máximo Parpagnoli https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/01204c36-03c1-46bf-af0b-6f401f0a61b9/KarliCadel-DutchmanGenDress-2545.jpg At A Glance - CRITICAL ACCLAIM Tobias Keene, D.D.S. Hailing from Richmond, Virginia, Dr. Tobias Keene brings a bit of unabashed Southern hospitality to all his patients. He moved to Washington, D.C. over thirty years ago as a freshman at Ivy College. Right after graduation, he attended World University’s School of Dentistry. Before opening Keene Dental in 1994, he worked for free clinics and some of the finest practices in the District. He is part of the 123 Dental Association and stays up-to-date on the latest dental discoveries. When not striving to keep his patients happy and healthy, he’s enjoys hiking with his family in Rock Creek Park. https://ryanmckinny.com/shop daily 0.75 2025-12-02 https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1639264777434-UEDA0E1NIY7BCT91BLPM/Bernstein.jpg Shop https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1639264907063-7MSSO6GD80NTC0K1FB0Y/Orff.jpg Shop https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1639265055919-RZQ2O3EJAZP75BR75DBK/Wagner.jpg Shop https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1639265344086-VHZDL98RIPJAZP965VS0/Shost.jpg Shop https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1639265452747-OALP9O6IHDJFAJSPRJZP/Scar.jpg Shop https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1639265965502-WB2E0W566Q1XG66YUS0M/MTT.jpg Shop https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1641331432572-LYYS2ID2D1J9XN6A0KWB/Mahler.jpg Shop https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/fe568c60-c293-4317-bf7f-64e123aaf654/RyanSeasonRecordingsFormat.jpg Shop https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/75ee9d4d-a631-4af3-8687-dd8e199cfff1/RyanSeasonRecordingsFormat.jpg Shop https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1639265965502-WB2E0W566Q1XG66YUS0M/MTT.jpg Shop https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/522ce143-d71d-40bc-bd2c-d0789f83008b/RyanSeasonRecordingsFormatHeggie.jpg Shop https://ryanmckinny.com/recent daily 0.75 2025-07-21 https://ryanmckinny.com/connect daily 0.75 2026-03-17 https://ryanmckinny.com/features daily 0.75 2023-03-24 https://ryanmckinny.com/2122 daily 0.75 2022-03-28 https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1639801951526-6KBWZ24AFV40MOUR7IAE/unsplash-image-enGr5YbjQKQ.jpg 21/22 Season - THE METROPOLITAN OPERA Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1639801872762-WTIRD4ZM90C0A7VNYSW7/unsplash-image-n61b2HdZtAM.jpg 21/22 Season - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1639801924275-A16S1I6F5EFM8UGUP46F/unsplash-image-UmEYn_GYqFo.jpg 21/22 Season - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1642719602104-CCE5NID3TJ7QGO8MRGV2/unsplash-image-KhazjZ9gyZM.jpg 21/22 Season - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/1644271634232-3KTZAT4CEQ9PTJAVMLTE/unsplash-image-ufGZchvd0t4.jpg 21/22 Season - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://ryanmckinny.com/acclaim daily 0.75 2026-03-31 https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/e6d6d50b-d6e6-454c-a373-688bf3afe53d/SFOGolden.jpg https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/7e0b6080-1dd2-4704-a6e6-79fee8567348/2026_03_18_WNO_The_Crucible_0292.jpg Critical Acclaim - “McKinny has never been better. He fully inhabits John Proctor, and fills the stage with his presence .” — DC Theater Arts https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/9cb23ddb-fb65-4b50-8d20-1839f25c3299/silent-night-od-59.JPG Critical Acclaim - “McKinny parlayed a subsidiary character into the major leagues with his stalwart Lieutenant Horstmayer. He used his stage presence and sterling voice to most advantage.” — Houston Press https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/77826dbf-36e0-4324-bf4f-b7b63645dca1/HGO+-+Il+Trittico+-+Orchestra+Dress+-+2025+-+Photographer+Lynn+Lane-303.jpg Critical Acclaim - “McKinny's dark and vibrant bass-baritone might seem suited only to sinister or serious characters, but he was equally convincing in the night-and-day opposites he played.” — Houston Chronicle https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/4c870bb4-4056-43eb-8300-53c3bc418552/_C0A2639.jpg Critical Acclaim - “Brought to life by McKinny’s strong voice and expressive physicality, De Rocher is no monster. Sister Helen insists he’s a child of God, a fellow human who is afraid of dying, and McKinny made the audience see that.” — San Francisco Classical Voice https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/ddcba52d-347f-4fb6-bd5d-15e29dca5eef/Dutchman_DressRehearsal_CoryWeaver_Social-9.jpg Critical Acclaim - “There is nothing about this role that eludes McKinny. This was as well-rounded, well-sung, and magnetic a performance of the Dutchman that you will likely ever encounter.” — Opera Today https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/e0c46353-02cb-4816-aa13-58dd421e5dac/HGO+-+Breaking+the+Waves+-+Piano+Dress+-+2025+-+Photographer+Lynn+Lane-331.jpg Critical Acclaim - “McKinny’s bass-baritone has warmth, resonance, and power, which underscored the strength and sensitivity of Bess’s husband, and made their initial love moving and his crippling accident poignant.” — Houston Chronicle https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/b2fbb91e-ff85-413c-8656-856298334c9d/LO+20250125+Der+Kaiser+von+Atlantis-183-L.jpg Critical Acclaim - “McKinny delivered reams of glorious sound in his dual roles of Death and the officiously amusing Loudspeaker. His tone was ample and rounded throughout and gained an invigorating buzz in the timebre as he plunged into the subterranean depths of the writing.” — Opera Magazine https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/165871ce-19a3-48cc-a9f0-cd34ea9b6187/BIAGD_SFPremiere_creditTerryLorant9.jpg Critical Acclaim - “Mac is vividly portrayed by McKinny. Tall, with the imposing biceps of a hair-trigger brawler, he managed to capture Mac as both a wary warrior and an unhappy soul searching for peace. ” — Musical America https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/607abcbc-fcfe-45d4-bc52-42ab52e50c9c/HGO+-+Don+Giovanni+-+2024+-+Piano+-+Photographer+Lynn+Lane-254.jpg Critical Acclaim - ““With his chiseled good looks, McKinny combined an adeptness at physical comedy with a vocal resonance that could almost be felt as well as heard.” — Houston Chronicle https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/31e711e2-78ed-4521-b263-5710152a313e/USEHGO+-+Parsifal+-+Orchestra+Dress+-+Photographer+Lynn+Lane-399.jpg Critical Acclaim - “A consummate actor, McKinny’s sonorous voice is but a noble extension. Like all the others in this opera, his suffering goes on and on, but with his unmatched stage presence he is always watchable, as his deep voice is immensely listenable. He turns anguish into pleasure.” — Houston Press https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/0cad0251-f361-4a92-9ff7-f2c08b8804ef/2023ChoralArts_FestivalofVoices_NOV8_00022.jpg Critical Acclaim - “It was a treat to hear bass-baritone Ryan McKinny so soon after experiencing his commanding performance in the Metropolitan Opera’s ‘Dead Man Walking,’ and in such a vastly different context. He held a magnificent presence against the roar of the chorus, suffused with a humanity you don’t often get from this monolithic slab of music.” — The Washington Post https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/85d39b65-aeff-404a-b304-98dbaccf0211/DMW_2335_C.jpg Critical Acclaim - “McKinny’s warmly robust bass-baritone voice makes De Rocher’s humanity evident from the start.” — The New York Times https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/6a98d88f-0b76-47d3-aa08-9e11b51fbfbb/2023_06_01_NSO_Beethoven_9_0181.jpg Critical Acclaim - “The piece really came to life with the entrance of bass-baritone Ryan McKinny. He introduced the words of the Schiller poem known as ‘Ode to Joy’ with prophetic bluster.” — Washington Classical Review https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/ae0d2dc9-a6e2-4828-9bb6-bcd7394ba072/MOR_FALOATDressRehearsal2_CurtBranomandRyanMcKinny2_ShayaLyonPhoto.jpg.jpg Critical Acclaim - “McKinny sang with energy and gusto, ranging from a soft piano head voice to a large, voluminous sound that conveyed power, grief, and intensity. When he stood on the bed and declared his hope amid the despair, it seemed more than sung: it was declared and pronounced.” — OperaWire https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/a488517e-8024-4ba8-9ba6-93736a2831fd/SBB01256.jpg Critical Acclaim - “It was no wonder that Salome found John the Baptist’s flights of oratory so arresting. Bass-baritone Ryan McKinny thundered them out in voluminous tones — not only secure and commanding at the top, but dark and sturdy below.” — Texas Classical Review https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/82d49005-e34e-497b-a69d-9309ab4987f0/BLO_Bluebeard_Ryan_McKinny_is_the_title_character_in_BLO_s_Bluebeard_s_Castle_Four_Songs_g1p5w3.jpg Critical Acclaim - “None of this [theatrical] framing would mean much without the excellent vocal performances at the heart of the evening. The role of Bluebeard was sung by Ryan McKinny with a rare blend of dramatic force and subtlety.” — The Boston Globe https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/c20140c8-fe41-451b-a177-ba5881da7616/LAPhil_002.jpg Critical Acclaim - “Act I opens with the booming voice of bass-baritone Ryan McKinny, who as narrator places us directly in their 1851 world. Mr. McKinny’s Clarence King anchors the production with his steady voice and presence on stage.” — Stage and Cinema https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/5a9be32d-1cb4-42ca-aba8-1291e9e33866/Tosca_2022_by_Cory_Weaver_0052_PR.jpg Critical Acclaim - “Ryan McKinny is a suave, elegant monster, a Scarpia who like many sexual predators is not in it for the sex but the conquest.” — Los Angeles Times https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/9c39c9d8-d0cb-4fa1-9253-035e8c5cd507/20221012_tristanandisolde_day01_sunnymartini_46237.jpg Critical Acclaim - “Musical values are paramount... Ryan McKinny’s loyal, resonant Kurwenal was a vital element throughout the production.” — Seattle Times https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/0e0ecbeb-04cc-47ed-b666-c6778a60bd87/Screen+Shot+2022-07-27+at+2.54.50+PM.png Critical Acclaim - “McKinny seems tailor-made for the title role of Don Giovanni. He has an easygoing confidence and his voice sounded robust and unrepentant throughout the opera, which is exactly what you want...” — The Republic https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/58a5a634-b574-4a5c-841a-e154539ddace/20220504_marriageoffigaro_seattleopera-night1_sunnymartini_64992+-+EN-Edit.jpg Critical Acclaim - “A consummate vocal artist with remarkable evenness throughout his entire range, McKinny is also a gifted physical comedian with impeccable timing. His characterization was at once subtle and uproarious.” — Broadway World https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/960d95d2-e57f-4460-8a0e-e16b8b647b70/INCL2_FIG22_0146a.jpg Critical Acclaim - “A splendid performance. McKinny was full of vitality with clear sound and articulation [with] a remarkable feeling of naturalness…” — New York Classical Review https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/d82f487f-edd0-449e-9483-fc6bfc931cda/WNOGiovanni1_ScottSuchman.jpg Critical Acclaim - “As the Don, Ryan McKinny unspooled smooth, stylish sound, a forceful snarl lurking beneath a suave veneer.” — Washington Post https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/5200b965-7deb-4597-9df1-e8779ac1c309/HGO-Don-Giovanni-Orchestra-Dress-Photographer-Lynn-Lane-204.jpg Critical Acclaim - “McKinny’s Don has a sharp wit and sense of dark humor that gives added dimension to the role. He is not a brutishly imposing Don, but rather a dangerously tense and coiled one, always ready to pounce at any sign of female frailty. — Parterre Box https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/d9e03899-88a8-45b5-ba6b-afa09c77f487/LOCDeadMan_KenHoward2.jpg Critical Acclaim - “An indelible performance... McKinny proves at once menacing and charismatic. An acting tour de force buttressed by a warmly inviting voice.” — Chicago Tribune https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/11138f6b-3088-42e2-bc7e-84de702c522d/BayreuthParsifal4.jpg Critical Acclaim - “A startlingly beautiful scene… McKinny expresses the eternal pain with both his movements and his sensitive singing.” — Bachtrack https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/fec189d3-1aec-4274-b7eb-2518efed00f7/HGO-Don-Giovanni-Orchestra-Dress-Photographer-Lynn-Lane-233.jpeg Critical Acclaim - “McKinny is magnetic – tall, lithe, and dangerously charismatic. When he flashes his rakish smile, it’s lethal. At moments, we almost begin to root for him… His serenade is so meltingly beautiful, so luminous, that we forget how insincere the whole thing really is.” — Houstonia Magazine https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/b39877c9-ae53-43de-94bc-f64696004386/MilwaukeeDutchman.jpg Critical Acclaim - “McKinny moved through an enormous range of emotions with vocal power and control, and a great deal of theatrical grace.” — Journal Sentinel https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/608e7260-97a0-4b1c-be5b-dcdafc4d00b1/MontrealRheingold1.jpg Critical Acclaim - “The charismatic bass-baritone Ryan McKinny takes on the formidable vocal path that must be reached in order to render the fullness of Wotan's pivotal character.” — Sors-Tu https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/e8408614-61bc-4395-adc6-3ba0dcc4445a/SFAtomic1.jpg Critical Acclaim - “McKinny showed the audience the human side of the scientific genius and I doubt that operagoers who saw his portrayal will soon forget it… With golden baritonal sounds…this soliloquy became a truly memorable aria.” — Broadway World https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/c21b285a-136d-42c3-b5eb-ba8716fd0f14/BernsteinMass.jpg Critical Acclaim - “The center of it all is baritone Ryan McKinny’s Celebrant. In a brilliant performance, his breakdown was Shakespearean, the madness of Lear.” — Los Angeles Times https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/57b40c40-d433-46d3-84bb-80f624aba0e5/MaybeHGOGott.jpg Critical Acclaim - “Bass-baritone Ryan McKinny sings with such appealing nuance and smokily sustained tones that we empathized with the character in spite of his worldly ambitions.“ — Opera News https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/ffecc837-f4b5-46fa-9307-0839423a8167/WNOFigaro1.jpg Critical Acclaim - “McKinny brings charm and virility to the role of Figaro, showing off his comic chops and his shining voice as the Count’s wily valet. His aria in the latter part of the opera, when Figaro is convinced his Susanna has cuckolded him with the Count, was magnificent.” — Broadway World https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/2ad62454-9345-4ee5-a976-6148edc25f87/BayreuthParsifal2.jpg Critical Acclaim - “Ryan McKinny is a discovery as Amfortas. His intensity and vocal luminosity are superb.” — Hessiche Niedersächsische Allgemein https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/baf48387-9af0-428e-9a86-5a7593ef5768/WNOGott1.jpg Critical Acclaim - “The singer’s comfort in the role’s music was absolute, and McKinny traversed the full range of his part without an iota of stress. McKinny confirmed how markedly a superlative Gunther can increase enjoyment of a performance of Götterdämmerung…” — Voix des Arts https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/ff31d6ff-dba8-4717-bef9-ae808526f8a3/Parsifal-Teatro-Colo%CC%81n-Photo-Ma%CC%81ximo-Parpagnoli.jpg Critical Acclaim - “McKinny hits on every nuance of this role, and expresses very well the character. He vocally supports Amfortas’ despair with an immense quality of tortured desolation that overwhelms him at all times. It is an excellent delivery of this iconic Wagnerian role." — Toda La Cultura https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/0b5849bf-b509-498d-b926-25cd16f4ae48/SFSalome1.jpg Critical Acclaim - “Ryan McKinny has all the goods for a first-tier Jochanaan, namely a meaty, forceful bass-baritone that has powerful point and burnished quality in every register and volume. McKinny sang with sensitivity, understanding, and ever-present beauty of tone. He brought true star power to the evening.” — Opera Today https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/7519f9b0-efd3-482e-8eca-16b548d8eda7/LAFigaro.jpg Critical Acclaim - “McKinny was particularly fine in his Act III showcase with an elegant line and clear articulation… His final “Contessa perdono” was delivered with such shattering simplicity it could have moved a stone to tears.” — Parterre Box https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/7b6d200a-5d99-4e91-b31b-e9d0cb021b88/HGOCarmen.jpg Critical Acclaim - “McKinny is astounding as the confident, handsome, and altogether glamorous toreador Escamillo. His polished and luxurious bass-baritone voice perfectly commands our attention during the Toreador Song. A sterling performance." — Broadway World https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/cd402eeb-d129-4458-b096-918cf202a4ab/A-Streetcar-Named-Desire-LA-Opera-Photo-Robert-Millard-3-1333x2000.jpg Critical Acclaim - “McKinny made the role of Stanley Kowalski his own. He displayed an animalistic, macho, virile physique coupled with a desperate organic need for his wife, Stella. He was able to mesh the music with the words so that all we saw was Stanley. His sound was plush and interconnected with his being so that the sound and the being became one... McKinny carried the drama.” — Opera Theater Ink https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/2c8b7768-995e-4e9f-81a8-d9da06453f00/Rigoletto-Houston-Grand-Opera-Photo-Lynn-Lane-2000x1333.jpeg Critical Acclaim - “Ryan McKinny is one of the finest singers of his generation. The dark but burnished resonance of his bass-baritone made each iteration of the curse motif something to savor, and the high-ranging parts added an intensity and crucial vulnerability to the role.” — Opera News https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/f0efad9a-93c9-4b2c-a3b1-e9865a2273cc/KarliCadel-DutchmanGenDress-2545.jpg Critical Acclaim - “The production boasted an excellent Dutchman, Ryan McKinny, whose rich bass-baritone and imposing presence brought unusually human, sexy and even pitiable depths to this cursed ship’s captain who is endlessly seeking a woman to redeem him.” — Wall Street Journal https://images.squarespace-cdn.com/content/v1/618174f21538fd1edc97616b/fe8a695d-dce8-4b63-b5b4-248441984199/Tristan-und-Isolde-Houston-Grand-Opera-Photo-Felix-Sanchez.jpg Critical Acclaim - “Baritone Ryan McKinny could not have sung Kurwenal any better. As Tristan’s trusted aide-de-camp with unbounded loyalty, McKinny, with handsome stage presence to spare and voice to die for, was positively riveting.” — Houston Press