Critical acclaim of Ryan’s performances, interviews & press features
“Ryan McKinny’s Amfortas was simply irresistible in his heart-breaking plea as the human Grail at the heart of this insightful and moving production.” Agustín Blanco-Bazán, Opera News “Ryan McKinny war ein beeindruckender Amfortas, der seine besten Momente im Finale des 3. Aufzugs hatte. Er stellte das Leiden der Figur äußerst überzeugend...
Read this issue
“Bass-baritone Ryan McKinny, in his house debut, infused Jochanaan with sonorous resonance, the gravitas of his delivery confirming his character’s sense of self-certainty.” James M. Keller, Santa Fe New Mexican “Ryan McKinny has all the goods for a first tier Jochanaan, namely a meaty, forceful bass-baritone that has powerful point and burnished...
“Intended or not, McKinny’s Count Almaviva evokes the type of buff, bare-chested swagger and imperious self-importance associated with Vladimir Putin. And with his strong voice and robust authority, that’s just how McKinny plays him. He is a man that sees himself in total control of his world with little regard for those that he hurts, including his wife....
“Audiences despise Billy’s character, but baritone Ryan McKinny’s portrayal, while making no attempt to justify his offenses, reveals the protagonist’s humanity through his confusion and uncertainty. McKinny’s resonant voice, especially effective on “Soliloquy,” gives credibility to his job as the sometimes harsh, sometimes...
“Bass-baritone Ryan McKinny was a sonorous Escamillo, bringing Bizet much the same vocal heft he contributed to “Das Rheingold” as Donner, the god of thunder.” Steven Brown, Houston Chronicle “Houston favorite Ryan McKinny is astounding as the confident, handsome, and altogether glamorous toreador Escamillo. His polished and luxurious bass-baritone...