Critical acclaim of Ryan’s performances, interviews & press features
Houston Public Media This past weekend, Houston Grand Opera began its run of one of Mozart’s most famous operas, Don Giovanni, with Ryan McKinny portraying the title role. Don Giovanni is the Italian version of the famous hedonistic character Don Juan, well known for his pursuit of multiple women. For McKinny, it’s an interesting role to tackle in an era...
“Bass-baritone Ryan McKinny makes his role debut as the title character, and he’s magnetic. We first see Don Giovanni as he’s running out of the bedroom behind Donna Anna, shirt unbuttoned and hair disheveled, and he’s tall, lithe, and dangerously charismatic. When he flashes his rakish smile, it’s lethal, and it certainly doesn’t take much...
Ryan McKinny continues to rise the ranks as one of the great American bass-baritones of his time and this week he makes his second role debut of the season in Mozart’s “Don Giovanni.” He will be featured in a new production for the Houston Grand Opera. Throughout the past years, McKinny has had a career mixed with classic works by Verdi and Mozart but has also...
Ryan McKinny will be wandering into the mind of one of history’s legendary seducers. Mozart and librettist Lorenzo Da Ponte based Don Giovanni on the legends of Don Juan, the rake and rogue who seduced women across the world. The resulting operatic standard, opening this week at Houston Grand Opera, picks up and discards women with an abandon that seems...
Hot Topic An HGO heartthrob returns, shining a spotlight on today’s complex socio-political issues. By Ray Dennison, Photos by read more Bass baritone Ryan McKinny, who takes center stage in HGO’s Don GiovanniApril 20-May 5, is no stranger to Houston. After attending Juilliard, he first moved to Houston in 2005 to study at HGO Studio. While he’s since...
“Ryan McKinny’s bass-baritone is terrifyingly masculine” New York Times “Lucas van Lierop, taking over the role of Joe Cannon from Paul Appleby, did an excellent job, as did Ryan McKinny as Clarence” Opera Magazine